Sep. 23rd, 2015

jeriendhal: (Wazagan)
Summary: Arriving on Earth to deploy a virus to kill on the inhabitants and ready it for colonization, General Bill Trius of the planet Hondo immediately gives up his mission upon discovering the concept of music. Eight years later he’s happily married with a daughter, and practicing folk music on the side, when a Hondoian assassin finally shows up to kill Trius and finish the job. Fortunately Kevin, the assassin in question, is 1) Not very good at his job, and 2) Just as susceptible to the Power of Music as Trius was. Together they form up a folk music duo, and cleverly disguising themselves as folk musicians only pretending to be aliens, bring music and happiness to the world (or at least certain neighborhoods on Long Island).

Too bad Planet Hondo still wants to destroy the Earth. Will General Trius and Kevin be able to stop the next assassin? Will Kevin realize trying to date the cop attempting to arrest him won’t end well? Will Trius’s marriage survive Kevin’s antics?

Review: Well, yes, since the point of the movie is to provide a showcase for Nils d'Aulaire (General Trius) and Jay Klaitz’s (The Mighty Kevin) real life folk music comedy duo “Future Folk”. The plot tends to be somewhat, er, intermittent, as it’s placed between musical numbers the pair play. Nevertheless despite being musicians first and actors second, both of them carry themselves well, with Klaitz proving very adept in his role as a bumbling assassin with a crush on a female police officer. [1] D’Aulaire is more the straight man, but he manages to put some real acting chops on display, particularly in a scene where the plot has put a strain on his marriage, and he explains very gently to his daughter that even though Mommy and Daddy might be angry with each other right now, they would never be angry with her, and nothing that’s happening is her fault at all.

In general is it weren’t for single fist fight (between Trius and a Guy In A Rubber Suit) and some mild swear words, this would be a PG comedy. As it is, it’s mostly lighthearted, and a chance to hear some good banjo pickin’.

[1] Which I’ll admit slides into Stalker With a Crush territory when Kevin uses a stun rifle to paralyze her in her house so he can sing a love song in Spanish to her. Admittedly it’s played for comedy, he’s otherwise utterly non-threatening, and her upset about the whole situation never rises above “mild irritation”, but it’s a bit creepy and potentially triggery.

Recommended.

Available on Region One DVD and Netflix.

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