LMB on story action
Aug. 11th, 2008 03:22 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
The reader-response from the skiffy crowd so far has been exactly as my hypothesis predicted -- once the focus shifted back to the political in Book 3, they perked up and decided it was really a story after all. Except for the usual holdouts, who only process action as significant when it takes the form of "guys hitting each other", who are likely not the audience for these books in the first place. Although I am reminded of Jacqueline Lichtenberg's tart description of action scenes, roughly paraphrased: "The story is going along, but then stops while guys hit each other. Guys hit each other for three pages, then stop. The story starts again." (I've been watching a bit of shonen (that is, boys') anime lately, and I must say that describes those episodes to a T.)
Which might be more interesting if you are a guy, true. I'm reminded of all those nature specials showing mountain rams madly bashing heads, while the harems of ewes stand around in postures of unutterable boredom. They'll get the good genes regardless; they don't have to care. But I digress.
-Lois McMaster Bujold, 2008 Worldcon GoH speech
That explains better than I can why I hate writing fight scenes. There's violence, but in the end nothing actually happens in the character's story arc until the fight stops and they pick up the pieces.
Which might be more interesting if you are a guy, true. I'm reminded of all those nature specials showing mountain rams madly bashing heads, while the harems of ewes stand around in postures of unutterable boredom. They'll get the good genes regardless; they don't have to care. But I digress.
-Lois McMaster Bujold, 2008 Worldcon GoH speech
That explains better than I can why I hate writing fight scenes. There's violence, but in the end nothing actually happens in the character's story arc until the fight stops and they pick up the pieces.
no subject
Date: 2008-08-12 01:26 pm (UTC)