jeriendhal: (Wazagan)
Just an excerpt from an Elseworlds story I've had bouncing in my for a couple of years, set during WWII, as an answer to a really terribly racist Batman serial that Columbia Pictures released in 1943.

Cut for period appropriate racism )
jeriendhal: (Wazagan)
Reasons I Love the Internet (#512 in a series)

To the kids over to visit with my mom and have lunch with her. After lunch she dug out my dad's old jewelry case, asking if I was interested in one of his old rings (I wasn't. I don't wear any jewelry aside from my wedding ring). However I was interested in one artifact that Dad had held onto from his days as a radio operator for the OSS. During WWII he was assigned to monitor radio transmissions from OSS agents in Sicily, operating out of a hotel room in Corsica (after it was recaptured by the Allies). After the war ended and he was sent home to be demobbed, he held onto the key fob from the hotel he worked out of, which had the hotel's name and address on it.[1]

Some searching with Google Street View on Mom's computer revealed that not only was the hotel still there, it was still operating under the same name. I'm tempted to go there some day and see if I can stay in the room Dad worked out of, just to see what it might have felt like to him.

[1] Hotel Napolean Bonapate Ile Rousse to be precise.
jeriendhal: (Marty Greycoat)
Summary: Rick, owner of a cafe popular with European refugees in Vichy controlled Casablanca, finds his carefully maintained neutrality and cynicism tested when the love of his life abruptly returns, seeking his help for herself...

...and her husband.

Review: First, a shameful admission. I'm going to be 44 years old next Saturday and I've never seen this movie in its entirety. I knew all the great lines, from "Of all the gin joints in the world..." to "I came for the waters..." to "Round up the usual suspects" of course, but I'd never actually taken the time to watch the film, becoming more reluctant to do so when I got older, mostly because I figured the actual product couldn't match up to the legend.

Ahem. I stand corrected.

I think up until the release of The Princess Bride, this is probably the most quotable movie ever made. Which is nothing short of amazing given the second half of the movie was written on the fly, script changes coming in daily as the writers realized even they didn't know which man Ilsa would end up with, and the executives at Warner Bros. increasingly beginning to panic. And like TPB, it's not so much a single movie as a mashup of different genres that come together like some tasty jambalaya. It's a war movie with no Allied soldiers, a spy thriller with no secret agents, a cop movie where the chief is on the take (and we love him for it), a comedy where the stakes are deadly, and a romance movie where the leading man doesn't get the girl. It all shouldn't work, but somehow it wonderfully does, as Humphrey Bogart plays a cynic with his heart on his sleeve, Ingrid Bergman a woman torn between two men she loves with equal passion, and Claude Raines' Louis is massively corrupt even as he plays his German masters like a violin that might explode in his hands.

A deserved classic, and forever recommended.
jeriendhal: (Default)
Torah! Torah! Torah! (1970) The heartrending story of three Hawaiian Hasidic Hebrew boys whose talmudic studies are interrupted by the Japanese attack on Pearl Harbor. We follow the Jaunty Jews as they form their own kosher unit of the Marines and battle their way from island to island (but never on Shabat!) on their way to a showdown over Tokyo Bay, where … wait a minute. That was a typo up there. Sorry. Let’s start over …

-John Varley, in a review of Tora! Tora! Tora!, which has a slightly different plot...

Note: I'm slightly weirded out that [livejournal.com profile] james_nicoll watches this as a Christmas movie. But then again I always watch Gettysburg every 4th of July.

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